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DTSTART;TZID=America/Chicago:20260822T103000
DTEND;TZID=America/Chicago:20260822T133000
DTSTAMP:20260528T183438Z
CREATED:20260305T161242Z
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SUMMARY:Kintsugi Workshop: Repair and Reconnect
DESCRIPTION:Discover the art and philosophy of Kintsugi — the Japanese practice of repairing broken pottery with gold — in this all-level\, hands-on work\n\n\nKintsugi Workshop: Repair and Reconnect with Mami Takahashi\nAugust 22\, 2026\n10:30am – 1:30pm\n \n“Kintsugi teaches us that scars are part of the story — not something to hide\, but something to honor. As we repair\, we reflect. As we mend\, we transform.” \nIn this 3-hour session\, students will learn and apply the modern Kintsugi method using food-safe adhesive\, epoxy putty\, and golden finish. The technique is safe for beginners and designed to make the centuries-old practice accessible in a single-day format. Rather than erasing damage\, Kintsugi highlights each crack as part of an object’s unique story — inviting us to reflect on beauty\, imperfection\, and transformation. \nFor beginner students\, a broken porcelain or ceramic plate will be provided\, allowing them to experience the full repair process from start to finish.For returning students\, or those with previous experience\, you’re welcome to bring your own broken ceramic objects (must be clean) or choose from more complex forms provided by the instructor. \nThis workshop offers a supportive\, meditative space for reflection and creativity. All materials are provided\, and finger covers are available to use\, though handling epoxy can sometimes leave a light residue for a day or two. \n \n \n“Kintsugi is based on the philosophy that breakage and repair are something to celebrate – embracing flaws and imperfections creates a stronger and more beautiful piece of art. Using this as a metaphor for healing ourselves teaches us an important lesson: Sometimes in the process of repairing what feels broken\, we become more unique\, beautiful\, and resilient. Kintsugi can be a way to reframe personal challenges. Reminding us that we’re not victims of our circumstances. Showing us that we can come out on the other side stronger.” — Here is a quote about Kintsugi from Linda Muller\, a certified life coach. \n \n\n\n\nAbout Mami Takahashi: \nMami Takahashi is a Japanese multidisciplinary artist and a scholar working in multiple cities including Chicago and Tokyo. She earned her MFA in Contemporary Studio Practice from Portland State University in 2013 and a BFA in Japanese Painting from Joshibi University of Art and Design in Japan. \nWith ongoing artistic research\, practice\, and teaching\, Takahashi explores different approaches to actualize Japanese aesthetics to enhance cultural perspectives in many U.S. communities. Takahashi also aims to connect Japan and communities in Chicago by teaching traditional and modern art-making techniques.
URL:https://imss.org/program/kintsugi-workshop-repair-and-reconnect-9/
LOCATION:International Museum of Surgical Science\, 1524 North Lake Shore Drive\, Chicago\, IL\, 60610\, United States
CATEGORIES:Events
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260828T193000
DTEND;TZID=America/Chicago:20260828T210000
DTSTAMP:20260528T183440Z
CREATED:20260505T210138Z
LAST-MODIFIED:20260528T183440Z
UID:73120-1787945400-1787950800@imss.org
SUMMARY:Sounding/BODY: Grown From the Same Stem\, The Cord Still Hums
DESCRIPTION:Join us for a performance by interdisciplinary artist Bei Qi\, exploring space  and human connection\n\n\nsounding/BODY Presents: Grown From the Same Stem\, The Cord Still Hums\nAugust 28\, 2026\n7:30-9:00pm\nDoors at 7:00pm \nTickets: \n$10 Student – use code STUDENT at checkout \n(Valid Student ID will be requested at the door) \n$10 IMSS Members Presale – use code IMSSMEMBER at checkout \n(Valid IMSS Membership card will be requested at door) \n$15 GA Presale \n– \n$15 Student & IMSS Members (With valid ID & Membership Card) at Door \n$20 GA at Door \n\n\nGrown From the Same Stem\, The Cord Still Hums centers on a long green fabric tube that eventually fills the gallery space\, connecting two flower sculptures. The tube references both a shared stem and an umbilical cord: the oldest bond between two bodies\, present before language\, before memory\, before separation\, and the origin of all distance that follows. The artist wears a large flower headpiece\, beginning wrapped near the second flower\, from which her mother’s voice emanates\, humming a Chinese song she taught the artist in childhood\, recorded over a video call across an ocean. At times the recording falters. Lag and interference are introduced into the mother’s voice\, and the sonic texture of distance is made audible. Over the course of the performance\, the recorded voice transforms\, becoming mixed with versions of itself\, sounds of oceans\, fragments of childhood\, and ambient sounds from her mother’s environment in Beijing. \nOver the course of an hour\, the artist slowly unravels the tube\, while it fills the room with the material weight of distance. The further she moves\, the harder it becomes to hear her mother’s sound\, and the more the room fills with the tube. At the furthest point\, when she becomes completely unraveled\, she sings the same song back\, loudly\, across the full length of the space\, attempting to return through voice what the body can no longer cross. The audience is invited to step into the space which is being filled with the tube\, becoming a part of the performance\, each body bringing another presence the cord must move through and around. \n\n\n\nThis project is partially supported by a CityArts Grant from the City of Chicago Department of Cultural Affairs & Special Events. \n\n\n\nThe International Museum of Surgical Science acknowledges support from the Illinois Arts Council Agency. \n\n\n\nBei Qi is an interdisciplinary artist who creates wearable sculptures\, paintings\, and collages that become transformed through film\, sound\, live performance\, and installation. In her soundscapes\, voices are layered and multiplied until they become their own wordless orchestra\, slightly out of sync\, and never quite resolving. These uncanny choruses are a form of protection: the stories of those she works with are held inside the sound but never made fully readable. The hum carries without exposing-in plurality\, we become free. \nHer wearable sculptures invite adult bodies into the logic of childhood play\, understanding play as an intentional act of vulnerability\, allowing adults to reclaim the right to feel. Qi is an MFA candidate in Performance at the School of the Art Institute of Chicago and holds a BFA from Washington University in St. Louis. She has presented over 35 wearable artworks in the Link Auditorium and Holmes Lounge\, and has been supported by the Jeffrey Frank Wacks Scholarship. This year her work will appear at No Nation Art Lab and 33 East Washington Gallery\, preceding her performance at the International Museum of Surgical Science.
URL:https://imss.org/program/sounding-body-grown-from-the-same-stem-the-cord-still-hums/
LOCATION:International Museum of Surgical Science\, 1524 North Lake Shore Drive\, Chicago\, IL\, 60610\, United States
CATEGORIES:Events
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260829T140000
DTEND;TZID=America/Chicago:20260829T160000
DTSTAMP:20260808T194720Z
CREATED:20260505T210140Z
LAST-MODIFIED:20260808T194720Z
UID:73121-1788012000-1788019200@imss.org
SUMMARY:AI Ally for Human Health
DESCRIPTION:Join Argonne National Laboratory’s computational biologist Nick Chia for An AI Ally for Human Health.Lecture:An AI Ally for Human HealthNicholas Lee-Ping Chia\, Ph.D.2:00pm-4:00pmCheck-In at 1:30pm Free with RSVP Surgery is hard. From gathering information about the patient’s pathology to identifying the microbes that could infect the surgical site to the simple act of moving lights so surgeons can see clearly\, there is a heavy load for medical teams. What if artificial intelligence could help reduce the cognitive load for our healthcare experts and improve outcomes for patients?    Argonne National Laboratory’s Nick Chia has spent his career pushing the boundaries of technology to battle some of the most aggressive pathogens known to science. Chia is a computational biologist using large language models\, machine learning\, AI tools\, and some of the world’s fastest supercomputers in his quest to revolutionize healthcare. Hosted at the one-of-a-kind International Museum of Surgical Science\, this talk is one you don’t want to miss.   Dr. Nicholas Lee-Ping Chia received his Ph.D. from The Ohio State University in 2006\, and from 2006-2011 was a postdoctoral fellow at University of Illinois Urbana-Champaign. He then went on to a Senior Researcher at the Institute for Systems Biology before becoming a faculty member at Mayo Clinic. He has served as junior editor for several journals\, including mSystems and Frontiers. Selected honours include the Humboldt Fellowship and Fredrick P. Li Impact Award (AACR).  This program is presented in collaboration with the Argonne National Laboratory. Argonne is a multidisciplinary science and engineering research center where leading scientists and engineers work together to answer the biggest questions facing humanity – from how to obtain reliable and affordable energy\, to how to protect ourselves from emerging threats.
URL:https://imss.org/program/ai-ally-for-human-health/
LOCATION:International Museum of Surgical Science\, 1524 North Lake Shore Drive\, Chicago\, IL\, 60610\, United States
CATEGORIES:Events
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260913T110000
DTEND;TZID=America/Chicago:20260913T123000
DTSTAMP:20260904T200936Z
CREATED:20260904T200933Z
LAST-MODIFIED:20260904T200936Z
UID:73592-1789297200-1789302600@imss.org
SUMMARY:The Art of Wagashi: Capturing the Autumn Chrysanthemum
DESCRIPTION:Craft your own edible masterpiece. Enjoy a refined Japanese sweets-making experience. \nThe Art of Wagashi: Capturing the Autumn Chrysanthemum\nSunday\, September 13 |11:00am – 12:30pm\n“Nerikiri” is a traditional\, premium Japanese confection that originally blossomed as a special treat for the Japanese tea ceremony. Made by kneading sweet white bean paste with a touch of mochi\, it is a traditional art form that expresses the beauty of nature. \nIn this workshop\, you will learn to capture the elegance of autumn’s signature flower\, the chrysanthemum\, through the medium of Japanese confectionery. \n\nDesigns: “Hime-giku” (Dainty Chrysanthemum) & “Korin-giku” (Stylized Korin Chrysanthemum)\nWhy you’ll love it: In Japan\, the chrysanthemum has long been revered as a symbol of longevity and vitality—so much so that a special autumn festival is dedicated to wishing for health and long life through this flower. You will explore this cultural theme while creating two distinct artistic interpretations of the chrysanthemum\, focusing on the subtle beauty of shapes and colors.\n\nPerfect for absolute beginners. All tools and ingredients are provided\, so you can join us empty-handed and simply enjoy the experience. \nWorkshop Details \n\nSkill Level: Beginners welcome. We will guide you step-by-step.\nIngredients: Butter bean paste\, Mochi\, Red bean paste\nWhat to bring: Nothing (All tools and ingredients are fully provided)\n\n\n\n\n \n\n\n\n \n 						\n													\n						\n													\n													\n						\n													\n								\nAbout Toshiko Sugii Steffes: \nWagashi Artist & Seasonal Experience Creator \nToshiko Sugii Steffes is a Japanese confection “WAGASHI” designer\, and making WAGASHI in Japan and USA. She is fascinated by the beauty of WAGASHI\, which is expressive of the four seasons and nature. Her creations are boundless as there is so much variety and sophistication in WAGASHI techniques. Her Kohakuto (Kohakutou) Crystal Jelly Candy recipe book was published in Japan\, Taiwan and Hong Kong! \n\nRegister on Eventbrite
URL:https://imss.org/program/the-art-of-wagashi-capturing-the-autumn-chrysanthemum/
LOCATION:IL
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260917T180000
DTEND;TZID=America/Chicago:20260917T193000
DTSTAMP:20260904T202559Z
CREATED:20260904T202555Z
LAST-MODIFIED:20260904T202559Z
UID:73613-1789668000-1789673400@imss.org
SUMMARY:Japanese Whisky & Koji Fermentation
DESCRIPTION:Join us at the IMSS for an in-depth exploration of the science and cultural history behind Japanese whiskey. \nJapanese Whisky & Koji Fermentation: Science\, History\, and Taste\nSeptember 17\, 2026 | 6:00-7:30pm\nDoors at 5:45pm \nTickets: $60  \n \nJoin us at the International Museum of Surgical Science for an in-depth exploration of the science and cultural history behind Japanese whisky. \nWhisky expert Kevin Obis will introduce the traditional koji fermentation process\, examining how it differs from Western fermentation techniques that rely primarily on yeast. This distinctive process contributes to a cleaner\, smoother distillate and plays a key role in shaping the character of many exceptional Japanese whiskies. \nThe program will also highlight the legacy of Jokichi Takamine\, a pioneering chemist and biotechnologist who first isolated adrenaline and later introduced koji fermentation techniques to American distilleries\, bridging Japanese and Western scientific practices. \nAs part of this experience\, participants will enjoy a curated tasting of koji-fermented whiskies from Ohishi\, Fukano\, Ikikko\, and Hakata. \n\n \nKevin Obis started his career in the beverage industry as a craft cocktail bartender\, honing his skills for cocktails and conversation in some of Seattle’s best bars. During his time there he grew to love and appreciate the simplicity of a dram of scotch\, perhaps with just a splash of water. \nIn 2024\, Kevin returned to his hometown in IL and now serves the Midwest with the same passion and enthusiasm he brought to the Pacific Northwest. \n \n\n\nRegister on Eventbrite
URL:https://imss.org/program/japanese-whisky-koji-fermentation/
LOCATION:International Museum of Surgical Science\, 1524 North Lake Shore Drive\, Chicago\, IL\, 60610\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260920T103000
DTEND;TZID=America/Chicago:20260920T133000
DTSTAMP:20260905T154431Z
CREATED:20260905T154428Z
LAST-MODIFIED:20260905T154431Z
UID:73633-1789900200-1789911000@imss.org
SUMMARY:Kintsugi Workshop: Repair and Reconnect
DESCRIPTION:Discover the art and philosophy of Kintsugi — the Japanese practice of repairing broken pottery with gold — in this all-level\, hands-on work \nKintsugi Workshop: Repair and Reconnect with Mami Takahashi\nSeptember 20\, 2026\n10:30am – 1:30pm\n“Kintsugi teaches us that scars are part of the story — not something to hide\, but something to honor. As we repair\, we reflect. As we mend\, we transform.” \nIn this 3-hour session\, students will learn and apply the modern Kintsugi method using food-safe adhesive\, epoxy putty\, and golden finish. The technique is safe for beginners and designed to make the centuries-old practice accessible in a single-day format. Rather than erasing damage\, Kintsugi highlights each crack as part of an object’s unique story — inviting us to reflect on beauty\, imperfection\, and transformation. \nFor beginner students\, a broken porcelain or ceramic plate will be provided\, allowing them to experience the full repair process from start to finish.For returning students\, or those with previous experience\, you’re welcome to bring your own broken ceramic objects (must be clean) or choose from more complex forms provided by the instructor. \nThis workshop offers a supportive\, meditative space for reflection and creativity. All materials are provided\, and finger covers are available to use\, though handling epoxy can sometimes leave a light residue for a day or two. \n“Kintsugi is based on the philosophy that breakage and repair are something to celebrate – embracing flaws and imperfections creates a stronger and more beautiful piece of art. Using this as a metaphor for healing ourselves teaches us an important lesson: Sometimes in the process of repairing what feels broken\, we become more unique\, beautiful\, and resilient. Kintsugi can be a way to reframe personal challenges. Reminding us that we’re not victims of our circumstances. Showing us that we can come out on the other side stronger.” — Here is a quote about Kintsugi from Linda Muller\, a certified life coach.\n \nAbout Mami Takahashi: \nMami Takahashi is a Japanese multidisciplinary artist and a scholar working in multiple cities including Chicago and Tokyo. She earned her MFA in Contemporary Studio Practice from Portland State University in 2013 and a BFA in Japanese Painting from Joshibi University of Art and Design in Japan. \nWith ongoing artistic research\, practice\, and teaching\, Takahashi explores different approaches to actualize Japanese aesthetics to enhance cultural perspectives in many U.S. communities. Takahashi also aims to connect Japan and communities in Chicago by teaching traditional and modern art-making techniques. \n\n\n\n\nRegister on Eventbrite
URL:https://imss.org/program/kintsugi-workshop-repair-and-reconnect-10/
LOCATION:IL
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260923T190000
DTEND;TZID=America/Chicago:20260923T210000
DTSTAMP:20260905T160022Z
CREATED:20260905T160018Z
LAST-MODIFIED:20260905T160022Z
UID:73639-1790190000-1790197200@imss.org
SUMMARY:Narratives of the Flesh II: Embodied Grief
DESCRIPTION:Genevieve Ramos\, Gretchen Hasse\, and Barbara Little present an evening of art and performance about inhabiting imperfect bodies and minds. \nNarratives of Flesh: Embodied Grief \nSeptember 23\, 2026\n7:00-9:00pm\nDoors at 6:30pm \nTickets: \n$10 Student – use code STUDENT at checkout \n(Valid Student ID will be requested at the door) \n$10 IMSS Members Presale – use code IMSSMEMBER at checkout \n(Valid IMSS Membership card will be requested at door) \n$15 GA Presale \n– \n$15 Student & IMSS Members (With valid ID & Membership Card) at Door \n$20 GA at Door \nNarratives of the Flesh: Embodied Griefembraces the anguish of the body\, not as a pathway to joy\, but in the burdens we all carry. The work showcased celebrates and admonishes the pain\, pleasure\, frustration\, and bliss of living in an imperfect mind and body. \nNarratives of the Flesh will include an interactive\, artist-guided “touch tour” of selected artwork\, followed by a salon of performances amongst the Hall of Immortals. Tarot by Rin Matter. \nWith Special Guest: Riva Lehrer \nVisual Art by:M. Woods\, Ralph Skunkie Davis\, Sydness Bronson\, Bri Skeels\, Genevieve Ramos\, Cuerpos Colectivo\, Matt Bodet\, Rebecca Torres\, Allison Schmocker\, Grishma Shaw\, Gretchen Hasse \nPerfromances by: \nMothra Liddel\, Ladonna Friedman\, Maggie Bridger\, Amelia-Marie Alstadt \nPoetry by: \nJalisa English\, Joy Young \n\n\n\nRegister on Eventbrite
URL:https://imss.org/program/narratives-of-the-flesh-ii-embodied-grief/
LOCATION:IL
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260926T120000
DTEND;TZID=America/Chicago:20260926T140000
DTSTAMP:20260808T195743Z
CREATED:20260808T194116Z
LAST-MODIFIED:20260808T195743Z
UID:73031-1790424000-1790431200@imss.org
SUMMARY:Lecture: Writing as Cultural Archaeology and the Poetics of Place
DESCRIPTION:Join us for a special lecture by Michael Workman a new Road Scholar. Presented in partnership with the Road Scholars Speakers Bureau.Michael Workman: Writing as Cultural Archaeology and the Poetics of PlaceSeptember 26\, 202612:00-2:00pmDoors at 11:30am  About:  In this program\, artist and writer Michael Workman invites audiences to explore how writing\, history\, and landscape intersect to shape cultural memory. Drawing from his interdisciplinary practice and from the work of artists such as Theresa Hak Kyung Cha\, Johanna Drucker\, and Charles Reznikoff\, Workman approaches writing as a form of cultural archaeology—an excavation of the layered relationships between language\, identity\, and place. Through this lens\, participants are encouraged to see the local environment not only as a backdrop but as a living archive of stories\, gestures\, and voices that continue to inform community life across Illinois. Blending storytelling\, performance\, and reflective discussion\, Workman leads participants through accessible exercises that connect observation\, movement\, and writing. Each session begins with a short reading or performance excerpt that frames the concept of “poetic fieldwork\,” followed by guided writing prompts and group dialogue. Participants may be asked to respond to local landmarks\, historical artifacts\, or personal memories of place\, using language to uncover how geography shapes emotion and thought. Whether held in a library\, museum\, or community center\, each presentation adapts to its surroundings\, creating a shared space for conversation and collective discovery. By the end of the program\, attendees will have produced short fragments of writing and new ways of perceiving their environment—connecting artistic practice to civic imagination. Michael Workman is a Chicago-based artist\, writer\, and sociocultural critic whose work has appeared in the Chicago Tribune\, Guardian US\, Newcity\, and WBEZ Chicago Public Radio\, among other publications. He is the Publisher and Editor-in-Chief of Bridge (bridge-chicago.org)\, a nonprofit publishing and programming organization founded in 1999. Workman also serves as Development Officer for the Kyiv-Mohyla Foundation of America and Development Coordinator at the Ukrainian Institute of Modern Art (UIMA)\, where his grant writing has secured major awards\, including the Andy Warhol Foundation’s Wynn Kramarsky Freedom of Artistic Expression Award and the 2024 state recognition of Ukrainian Village as a cultural district. His writing and performance work explore the intersections of language\, movement\, and place. His publications include Propositional Attitudes (Golden Spike Press) and Perfect Worlds: Artistic Forms & Social Imaginaries (StepSister Press)\, launched with performances at the Museum of Contemporary Art Chicago. Recent performances include Active Investigation (Neubauer Collegium\, 2023). He is a 2025 Illinois Arts Council Creative Projects Grant and Rabkin Foundation Travel Grant recipient\, the 2025 Joan and Peter Hood Artist-in-Residence at Allerton Park\, and a 2026–27 Illinois Humanities Road Scholar. This lecture is presented in partnership with the Road Scholars Speakers Bureau of the Illinois Humanities.
URL:https://imss.org/program/lecture-writing-as-cultural-archaeology-and-the-poetics-of-place/
LOCATION:International Museum of Surgical Science\, 1524 North Lake Shore Drive\, Chicago\, IL\, 60610\, United States
CATEGORIES:Events
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260927T120000
DTEND;TZID=America/Chicago:20260927T140000
DTSTAMP:20260905T163551Z
CREATED:20260905T163548Z
LAST-MODIFIED:20260905T163551Z
UID:73651-1790510400-1790517600@imss.org
SUMMARY:Japanese Papermaking Workshop
DESCRIPTION:Explore the artistry of traditional Japanese paper-making with Human Body Watermarks\, led by artist Mami Takahashi. \nJapanese Papermaking (Washi) Workshop with Mami Takahashi \nSeptember 27\, 2026\n12:00pm – 2:00pm\nDiscover the art of traditional Japanese papermaking in this hands-on workshop. Participants will create their own sheets of Washi using Eastern Asian plant fibers such as kozo (paper mulberry) and hemp\, materials that have been used for centuries in Japan for books\, calligraphy\, architecture\, and everyday life. \nThe workshop begins with an introduction to the history of Washi and the differences between Eastern and Western papermaking traditions\, exploring how the intended use of paper influenced the fibers\, tools\, and techniques used in each culture. \nParticipants will then learn the fundamentals of sheet formation and create several handmade papers of their own. Decorative options will include natural and preserved plant materials\, flowers\, and fibers\, allowing each participant to create unique compositions. Techniques such as embossing and watermark-inspired impressions will also be introduced for those interested in adding texture and imagery to their paper. Handmade Washi can be incorporated into drawing\, painting\, printmaking\, collage\, book arts\, and other creative practices. \nWhether you prefer a simple\, elegant sheet of paper or a richly layered design\, this workshop offers an opportunity to experience the beauty of handmade paper while learning about a centuries-old Japanese tradition. \nNo experience required. All materials provided. \n \nAbout Mami Takahashi: \nMami Takahashi is a Japanese multidisciplinary artist and a scholar working in multiple cities including Chicago and Tokyo. She earned her MFA in Contemporary Studio Practice from Portland State University in 2013 and a BFA in Japanese Painting from Joshibi University of Art and Design in Japan. \nWith ongoing artistic research\, practice\, and teaching\, Takahashi explores different approaches to actualize Japanese aesthetics to enhance cultural perspectives in many U.S. communities. Takahashi also aims to connect Japan and communities in Chicago by teaching traditional and modern art-making techniques. \n \n\n\n\nRegister on Eventbrite
URL:https://imss.org/program/japanese-papermaking-workshop-3/
LOCATION:IL
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261001T190000
DTEND;TZID=America/Chicago:20261001T210000
DTSTAMP:20260905T165135Z
CREATED:20260905T165131Z
LAST-MODIFIED:20260905T165135Z
UID:73657-1790881200-1790888400@imss.org
SUMMARY:Show & Tell for Grown-Ups!: Historical Medicine
DESCRIPTION:Show & Tell for Grown-Ups! Historical Medicine\nJuly 9\, 2026\nDoors at 6:30pm – come early\, explore the Museum!\nShow at 7:00pm\n \nShow & Tell for Grown-Ups is a show for sharing niche curiosities. Our goal is to redefine what a night out with friends can mean. Let’s have fun & learn something together! Audiences has been asking for it and now we’re so honored & excited to partner with The International Museum of Surgical Science. We’re bringing this Show & Tell edutainment platform to this engaging museum so we can connect with more brilliant people wanting to share their knowledge with others. \nSign Up to Share! You don’t need a PHD to teach us at Show & Tell for Grown-Ups! Presenters can signup online for a 5-minute slot to share something their passionate about. Then we open Q&A with the audience. It’s a night of learning\, laughing\, and meeting other passionate people. We can’t wait to meet you! Do you have a passion for historical medical practices that you want to share with an inclusive and engaged audience? Signup to share at Show & Tell for Grown-Ups! \nPresenter signup: https://forms.monday.com/forms/bc9d2c0747c18d72eb1a2484dc5e12bc?r=use1 \nWhat to learn more about Show & Tell for Grown-Ups? Check out their website www.tellmewhyshow.com or on instagram @tellmewhyitscool_show . \n\n\n\nRegister on Eventbrite
URL:https://imss.org/program/show-tell-for-grown-ups-historical-medicine-4/
LOCATION:IL
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261008T180000
DTEND;TZID=America/Chicago:20261008T200000
DTSTAMP:20260905T165849Z
CREATED:20260905T165846Z
LAST-MODIFIED:20260905T165849Z
UID:73664-1791482400-1791489600@imss.org
SUMMARY:Japanese Bookbinding Workshop: Goshuinchō & Yotsume Toji
DESCRIPTION:Explore the beauty and cultural depth of traditional Japanese bookmaking in this hands-on workshop. \nJapanese Bookbinding: Goshuinchō & Yotsume Toji\nOctober 8\, 2026\n6:00pm – 8:00pm\nDoors Open at 5:30pm \nExplore the beauty and cultural depth of traditional Japanese bookmaking in this hands-on workshop. Participants will learn Yotsume Toji (four-hole binding)\, a classic Japanese stab binding technique that has been used for centuries for notebooks\, manuscripts\, and artist books. \nThe workshop also introduces the Goshuinchō\, a traditional Japanese temple and shrine stamp book. Used to collect goshuin—beautiful calligraphic stamps received during visits to Shinto shrines and Buddhist temples—these books have deep spiritual roots and have become cherished keepsakes for travelers. \nParticipants will learn how to construct a simple accordion-style Goshuinchō using Japanese paper\, and will also create their own Yotsume Toji bound notebook\, learning the fundamentals of Japanese stab binding. \nBy the end of the workshop\, each participant will leave with two handmade books: \n• A handmade Goshuinchō (accordion temple stamp book)• A Yotsume Toji stitched notebook \nAll materials are provided\, and the workshop is beginner-friendly and welcoming to all levels. \nNo experience required. \n \nAbout Mami Takahashi: \nMami Takahashi is a Japanese multidisciplinary artist and a scholar working in multiple cities including Chicago and Tokyo. She earned her MFA in Contemporary Studio Practice from Portland State University in 2013 and a BFA in Japanese Painting from Joshibi University of Art and Design in Japan. \nWith ongoing artistic research\, practice\, and teaching\, Takahashi explores different approaches to actualize Japanese aesthetics to enhance cultural perspectives in many U.S. communities. Takahashi also aims to connect Japan and communities in Chicago by teaching traditional and modern art-making techniques. \n\n\n \n\n\n\n\n\n\n\n\nRegister on Eventbrite
URL:https://imss.org/program/japanese-bookbinding-workshop-goshuincho-yotsume-toji/
LOCATION:International Museum of Surgical Science\, 1524 North Lake Shore Drive\, Chicago\, IL\, 60610\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261011T120000
DTEND;TZID=America/Chicago:20261011T150000
DTSTAMP:20260905T170647Z
CREATED:20260905T170434Z
LAST-MODIFIED:20260905T170647Z
UID:73671-1791720000-1791730800@imss.org
SUMMARY:Kintsugi Workshop: Repair and Reconnect
DESCRIPTION:Discover the art and philosophy of Kintsugi — the Japanese practice of repairing broken pottery with gold — in this all-level\, hands-on work \nKintsugi Workshop: Repair and Reconnect with Mami Takahashi\nOctober 11\, 2026\n12:00pm – 3:00pm\n“Kintsugi teaches us that scars are part of the story — not something to hide\, but something to honor. As we repair\, we reflect. As we mend\, we transform.” \nIn this 3-hour session\, students will learn and apply the modern Kintsugi method using food-safe adhesive\, epoxy putty\, and golden finish. The technique is safe for beginners and designed to make the centuries-old practice accessible in a single-day format. Rather than erasing damage\, Kintsugi highlights each crack as part of an object’s unique story — inviting us to reflect on beauty\, imperfection\, and transformation. \nFor beginner students\, a broken porcelain or ceramic plate will be provided\, allowing them to experience the full repair process from start to finish.For returning students\, or those with previous experience\, you’re welcome to bring your own broken ceramic objects (must be clean) or choose from more complex forms provided by the instructor. \nThis workshop offers a supportive\, meditative space for reflection and creativity. All materials are provided\, and finger covers are available to use\, though handling epoxy can sometimes leave a light residue for a day or two. \n“Kintsugi is based on the philosophy that breakage and repair are something to celebrate – embracing flaws and imperfections creates a stronger and more beautiful piece of art. Using this as a metaphor for healing ourselves teaches us an important lesson: Sometimes in the process of repairing what feels broken\, we become more unique\, beautiful\, and resilient. Kintsugi can be a way to reframe personal challenges. Reminding us that we’re not victims of our circumstances. Showing us that we can come out on the other side stronger.” — Here is a quote about Kintsugi from Linda Muller\, a certified life coach. \n \nAbout Mami Takahashi: \nMami Takahashi is a Japanese multidisciplinary artist and a scholar working in multiple cities including Chicago and Tokyo. She earned her MFA in Contemporary Studio Practice from Portland State University in 2013 and a BFA in Japanese Painting from Joshibi University of Art and Design in Japan. \nWith ongoing artistic research\, practice\, and teaching\, Takahashi explores different approaches to actualize Japanese aesthetics to enhance cultural perspectives in many U.S. communities. Takahashi also aims to connect Japan and communities in Chicago by teaching traditional and modern art-making techniques. \n\n\n\n\n \n\n\n\n\nRegister on Eventbrite
URL:https://imss.org/program/kintsugi-workshop-repair-and-reconnect-11/
LOCATION:International Museum of Surgical Science\, 1524 North Lake Shore Drive\, Chicago\, IL\, 60610\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261016T190000
DTEND;TZID=America/Chicago:20261016T210000
DTSTAMP:20260905T171828Z
CREATED:20260905T171825Z
LAST-MODIFIED:20260905T171828Z
UID:73681-1792177200-1792184400@imss.org
SUMMARY:Sounding/BODY: Philomela Fragments with Terns & Ah Young Hong
DESCRIPTION:Join us for a performance by Terns and Ah Young Hong for an evening of world premieres by three composers! \nsounding/BODY Presents: Philomela Fragments with Terns & Ah Young Hong\nOctober 16\, 2026\n7:00-9:00pm\nDoors at 6:30pm \nTickets: \n$10 Student – use code STUDENT at checkout \n(Valid Student ID will be requested at the door) \n$10 IMSS Members Presale – use code IMSSMEMBER at checkout \n(Valid IMSS Membership card will be requested at door) \n$15 GA Presale \n– \n$15 Student & IMSS Members (With valid ID & Membership Card) at Door \n$20 GA at Door \nJoin Terns—flutist Sasha Ishov and bassist Will Yager—for an evening of world premieres celebrating the uncommon pairing of flute and double bass. Terns will be joined by internationally acclaimed soprano Ah Young Hong for the world premiere of Philomela Fragments by Michael Hersch. The program also features world premieres by Carlos Bandera and Alexa Rinn\, alongside additional repertoire for the ensemble. \nBringing together three distinct musical voices\, the program explores the expressive possibilities of two instruments occupying opposite ends of the acoustic spectrum. Through close collaborations with composers\, Terns is building a new body of repertoire for flute and double bass while expanding the possibilities of this unusual instrumental pairing. \nTerns’ 2026–27 commissioning project is supported by New Music USA’s Creator Fund. \n \nThis project is partially supported by a CityArts Grant from the City of Chicago Department of Cultural Affairs & Special Events. \n \nThe International Museum of Surgical Science acknowledges support from the Illinois Arts Council Agency. \nAbout the Performers & Composers\n \nTerns is a flute and double bass duo founded by flutist Sasha Ishov and bassist Will Yager. Through the uncommon pairing of flute and double bass\, the ensemble explores overlooked repertoire while building a substantial body of new works through long-term collaborations with living composers. Current projects include commissions by Michael Hersch\, Carlos Bandera\, Alexa Rinn\, and Christine Burke\, with additional collaborations in development with Michelle Lou and Osnat Netzer. Alongside its performances\, Terns develops educational and community engagement initiatives that foster meaningful connections with contemporary and experimental music. (IG: @terns_duo) \n– \nSasha Ishov (Flutist): Sasha Ishov is a Russian-American flutist whose work expands the flute’s expressive possibilities at the intersection of performance and research. Praised for his “well-sounded and lucid” artistry (San Diego Union-Tribune)\, he bridges contemporary and classical traditions through solo\, chamber\, and orchestral performances and experimental collaborations with technology and new media. (website: sashaishov.com | Instagram: @sasha.ishov) \nWill Yager (Double Bassist): Will Yager is a double bassist committed to experimental music\, improvisation\, and collaborating with other artists in the creation of new solo and chamber repertoire for the double bass. He is a founding member of Terns\, LIGAMENT\, and the experimental trio Wombat. Yager is currently on faculty at the University of Northern Iowa. (website: willyager.com | Instagram: @yagerwill) \n \nAh Young Hong (Soprano): A “transfixing” (The New Yorker)\, “absolutely riveting” (Chicago Tribune) soprano of “fearlessness and consummate artistry” (Opera News)\, Ah Young Hong has interpreted repertoire ranging from early music to leading composers of the 20th and 21st centuries. A longtime exponent of Michael Hersch’s music\, she has premiered major works including On the Threshold of Winter\, Poppaea\, and and we\, each. She has performed with the BBC Symphony Orchestra\, Camerata Bern\, Talea Ensemble\, Ensemble Klang\, FLUX Quartet\, and Mahler Chamber Orchestra\, among others. Hong is Associate Professor in the Vocal Studies Department at the Peabody Institute of The Johns Hopkins University. \n \nMichael Hersch (Composer): A composer of “uncompromising brilliance” (The Washington Post) whose work has been described by The New York Times as “viscerally gripping and emotionally transformative music … claustrophobic and exhilarating at once\, with moments of sublime beauty nestled inside thickets of dark virtuosity\,” Michael Hersch is widely considered among the most gifted composers of his generation. Composer Georg Friedrich Haas has written that Hersch “is the explorer of an unconditional\, radical expressivity that reveals the human abyss without any palliation.” Recent performances include his Violin Concerto with Patricia Kopatchinskaja and Ensemble intercontemporain in Paris\, and at the Lucerne Festival Forward. Other recent events include his MEDEA with Sarah Maria Sun and Ensemble Musikfabrik and anonymous beneath the lemon trees with Ah Young Hong and the Talea Ensemble. \n \nAlexa Rinn (Composer): Alexa Rinn is a composer whose music aims to access a visceral immediacy of perceptual experience and feeling. Her love of indie rock\, shoegaze\, and other heavy genres of popular music deeply informs her timbral and structural explorations\, and she loves to think about and live inside the moments of change between sonorities. Rinn’s works have been performed and/or recorded by ensembles such as Chicago Composers Orchestra\, Unassisted Fold\, Omnibus Ensemble\, SONAR Ensemble\, Quartetto Maurice\, Occasional Symphony\, Symphony Number One\, Duo Riso\, and thePeabody Preparatory Wind Orchestra. \n \nCarlos Bandera (Composer): Carlos Bandera is a composer whose music explores the expressive potential of contextualization and transformation of musical materials. He often expands simple elements into large-scale\, glacially unfolding musical structures\, through which he explores the interplay of harmony\, noise\, and texture. His music has been performed by groups such as the Orchestra of St. Luke’s\, the Chicago Composers Orchestra\, the Albany Symphony\, the Hastings Philharmonic Orchestra\, the Illinois Philharmonic Orchestra\, Dogs of Desire\, the International Contemporary Ensemble\, Mivos Quartet\, the ~Nois and Cerus saxophone quartets\, Ensemble Linea\, Earspace\, Hebrides Ensemble\, and Omnibus Ensemble. \n\n\n \n\n\n\n\nRegister on Eventbrite
URL:https://imss.org/program/sounding-body-philomela-fragments-with-terns-ah-young-hong/
LOCATION:International Museum of Surgical Science\, 1524 North Lake Shore Drive\, Chicago\, IL\, 60610\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261030T190000
DTEND;TZID=America/Chicago:20261030T230000
DTSTAMP:20260904T200004Z
CREATED:20260418T022416Z
LAST-MODIFIED:20260904T200004Z
UID:73024-1793386800-1793401200@imss.org
SUMMARY:MEMENTO MORI Halloween Gala
DESCRIPTION:Get ready for a spooky night of fun and frights at our MEMENTO MORI Halloween Gala on October 30th!🎃 MEMENTO MORI: Annual Halloween Gala at the International Museum of Surgical ScienceThursday\, October 30\, 2026 | 7:00 – 11:00 PM📍 The International Museum of Surgical Science – 1524 N. Lake Shore Drive\, Chicago\, IL Chicago’s most unforgettable Halloween party returns.Join us for the 5th Annual MEMENTO MORI Gala\, a hauntingly elegant fundraiser hosted by the International Museum of Surgical Science. Step inside our historic lakeside mansion for a night of eerie enchantment and surgical spectacle unlike anything else in the city. 🕯️ What Is “Memento Mori”? memento mori : “remember that you must die.” Once used to reflect on mortality\, today it inspires our most spirited celebration of life\, art\, and history. 💀 Your Ticket Includes: 🎟️ Admission to Chicago’s most unique Halloween gala🍸 4 free drink tickets for use at our bars (21+ with ID)💃 Dancing in the candlelit Hall of Immortals🧙‍♀️ Spooky stories🧁 Ghoulish hors d’oeuvres & desserts by local culinary partners🎴 Tarot & Palm Readings📸 Spooky photo booth moments🎁 Silent Auction featuring premium prizes from Chicago businesses🕰️ Event Info: Doors Open: 7:00 PMLast Call: 10:45 PMMuseum Closes: 11:00 PMAlcohol served to guests 21+ (ID Required)Costumes Encouraged – Dress to Distress! 🎟️ Don’t wait—this event sells out every year. About the Venue: The International Museum of Surgical Science is one of Chicago’s most unique and hauntingly beautiful event spaces. Wander through historic galleries\, antique surgical tools\, rare medical books\, and immersive exhibits while you celebrate. For questions about the gala or sponsorship opportunities\, please contact:📧 Michelle Rinard at info@imss.org 📞 312-642-6502 OUR PARTNERS
URL:https://imss.org/program/memento-mori-halloween-gala-2/
LOCATION:International Museum of Surgical Science\, 1524 North Lake Shore Drive\, Chicago\, IL\, 60610\, United States
CATEGORIES:Events
ATTACH;FMTTYPE=image/jpeg:https://imss.org/wp-content/uploads/2026/05/8c9a9ec357878fbbf7fb916b9ef7fa75-5lGGSI.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261108T103000
DTEND;TZID=America/Chicago:20261108T123000
DTSTAMP:20260905T191925Z
CREATED:20260905T191921Z
LAST-MODIFIED:20260905T191925Z
UID:73694-1794133800-1794141000@imss.org
SUMMARY:Japanese Papermaking Workshop
DESCRIPTION:Explore the artistry of traditional Japanese paper-making with Human Body Watermarks\, led by artist Mami Takahashi. \nJapanese Papermaking (Washi) Workshop with Mami Takahashi\nNovember 8\, 2026\n10:30am – 12:30pm\nDiscover the art of traditional Japanese papermaking in this hands-on workshop. Participants will create their own sheets of Washi using Eastern Asian plant fibers such as kozo (paper mulberry) and hemp\, materials that have been used for centuries in Japan for books\, calligraphy\, architecture\, and everyday life. \nThe workshop begins with an introduction to the history of Washi and the differences between Eastern and Western papermaking traditions\, exploring how the intended use of paper influenced the fibers\, tools\, and techniques used in each culture. \nParticipants will then learn the fundamentals of sheet formation and create several handmade papers of their own. Decorative options will include natural and preserved plant materials\, flowers\, and fibers\, allowing each participant to create unique compositions. Techniques such as embossing and watermark-inspired impressions will also be introduced for those interested in adding texture and imagery to their paper. Handmade Washi can be incorporated into drawing\, painting\, printmaking\, collage\, book arts\, and other creative practices. \nWhether you prefer a simple\, elegant sheet of paper or a richly layered design\, this workshop offers an opportunity to experience the beauty of handmade paper while learning about a centuries-old Japanese tradition. \nNo experience required. All materials provided. \nAbout Mami Takahashi: \nMami Takahashi is a Japanese multidisciplinary artist and a scholar working in multiple cities including Chicago and Tokyo. She earned her MFA in Contemporary Studio Practice from Portland State University in 2013 and a BFA in Japanese Painting from Joshibi University of Art and Design in Japan. \nWith ongoing artistic research\, practice\, and teaching\, Takahashi explores different approaches to actualize Japanese aesthetics to enhance cultural perspectives in many U.S. communities. Takahashi also aims to connect Japan and communities in Chicago by teaching traditional and modern art-making techniques. \n \n\n\n\n\n\nRegister on Eventbrite
URL:https://imss.org/program/japanese-papermaking-workshop-4/
LOCATION:International Museum of Surgical Science\, 1524 North Lake Shore Drive\, Chicago\, IL\, 60610\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261108T140000
DTEND;TZID=America/Chicago:20261108T160000
DTSTAMP:20260905T192543Z
CREATED:20260905T192540Z
LAST-MODIFIED:20260905T192543Z
UID:73706-1794146400-1794153600@imss.org
SUMMARY:Kintsugi Workshop: Repair and Reconnect
DESCRIPTION:Discover the art and philosophy of Kintsugi — the Japanese practice of repairing broken pottery with gold — in this all-level\, hands-on work \n\n\n\n\n 						\n													\n						\n													\n								\nKintsugi Workshop: Repair and Reconnect with Mami Takahashi \nNovember 8\, 2026\n2:00pm – 4:00pm\n“Kintsugi teaches us that scars are part of the story — not something to hide\, but something to honor. As we repair\, we reflect. As we mend\, we transform.” \nIn this 3-hour session\, students will learn and apply the modern Kintsugi method using food-safe adhesive\, epoxy putty\, and golden finish. The technique is safe for beginners and designed to make the centuries-old practice accessible in a single-day format. Rather than erasing damage\, Kintsugi highlights each crack as part of an object’s unique story — inviting us to reflect on beauty\, imperfection\, and transformation. \nFor beginner students\, a broken porcelain or ceramic plate will be provided\, allowing them to experience the full repair process from start to finish.For returning students\, or those with previous experience\, you’re welcome to bring your own broken ceramic objects (must be clean) or choose from more complex forms provided by the instructor. \nThis workshop offers a supportive\, meditative space for reflection and creativity. All materials are provided\, and finger covers are available to use\, though handling epoxy can sometimes leave a light residue for a day or two. \n“Kintsugi is based on the philosophy that breakage and repair are something to celebrate – embracing flaws and imperfections creates a stronger and more beautiful piece of art. Using this as a metaphor for healing ourselves teaches us an important lesson: Sometimes in the process of repairing what feels broken\, we become more unique\, beautiful\, and resilient. Kintsugi can be a way to reframe personal challenges. Reminding us that we’re not victims of our circumstances. Showing us that we can come out on the other side stronger.” — Here is a quote about Kintsugi from Linda Muller\, a certified life coach. \n \nAbout Mami Takahashi: \nMami Takahashi is a Japanese multidisciplinary artist and a scholar working in multiple cities including Chicago and Tokyo. She earned her MFA in Contemporary Studio Practice from Portland State University in 2013 and a BFA in Japanese Painting from Joshibi University of Art and Design in Japan. \nWith ongoing artistic research\, practice\, and teaching\, Takahashi explores different approaches to actualize Japanese aesthetics to enhance cultural perspectives in many U.S. communities. Takahashi also aims to connect Japan and communities in Chicago by teaching traditional and modern art-making techniques. \n\n\n\nRegister on Eventbrite
URL:https://imss.org/program/kintsugi-workshop-repair-and-reconnect-12/
LOCATION:International Museum of Surgical Science\, 1524 North Lake Shore Drive\, Chicago\, IL\, 60610\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261111T180000
DTEND;TZID=America/Chicago:20261111T200000
DTSTAMP:20260905T193618Z
CREATED:20260905T193614Z
LAST-MODIFIED:20260905T193618Z
UID:73712-1794420000-1794427200@imss.org
SUMMARY:Lecture: Facial Aesthetics: from Art to Plastic Surgery Part 2
DESCRIPTION:From art history to operating room: discover how facial structure\, proportion\, and aesthetics guide modern plastic surgery. \n\n\n\n\n 						\n													\n						\n													\n								\nLecture:\nFacial Aesthetics: from Art to Plastic Surgery Part 2\nMimis Cohen\, MD\, FACS\, FAAP\n6:00pm-8:00pm\nDoors at 5:30pm \nFree with RSVP\n“Plastic Surgery” is derived from “plastikos\,” to shape or mold. Regardless of how a patient’s facial differences came about – through trauma\, through birth\, through cancer treatment\, the plastic surgeon reconstructs defects to both restore function and optimize facial aesthetics. Doing so starts with an understanding of how facial structure and proportion determine aesthetics. This lecture explores the face in the context of art history and relates such observations to the clinical practice of plastic surgery. \n \nDr. Mimis Cohen is a Professor and former chief of the Division of Plastic\, Reconstructive\, and Cosmetic Surgery at the University of Illinois at Chicago. Dr. Cohen is world-renowned for his work in the field of cleft lip and palate surgery. He has published extensively on the topic and lectured throughout the world. As a University Professor with extensive clinical and teaching experience\, Dr. Cohen is in the forefront of the specialty. He brings to his patients the knowledge and experience of the state-of-the-art procedures\, as well as the emerging new techniques in cosmetic and reconstructive surgery. He is a member and former president of several professional organizations\, published more than 160 articles in peer-reviewed journals and has edited several textbooks. He has been recognized as one of the best doctors in Chicago for the last 25 years. \n\n\n\n\n\nRegister on Eventbrite
URL:https://imss.org/program/lecture-facial-aesthetics-from-art-to-plastic-surgery-part-2/
LOCATION:International Museum of Surgical Science\, 1524 North Lake Shore Drive\, Chicago\, IL\, 60610\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261205T103000
DTEND;TZID=America/Chicago:20261205T123000
DTSTAMP:20260905T194924Z
CREATED:20260905T194921Z
LAST-MODIFIED:20260905T194924Z
UID:73722-1796466600-1796473800@imss.org
SUMMARY:Japanese Bookbinding Workshop: Goshuinchō & Yotsume Toji
DESCRIPTION:Explore the beauty and cultural depth of traditional Japanese bookmaking in this hands-on workshop. \n\n\n\n\n 						\n													\n						\n													\n								\nJapanese Bookbinding: Goshuinchō & Yotsume Toji\nDecember 5\, 2026\n10:30am – 12:30pm\nExplore the beauty and cultural depth of traditional Japanese bookmaking in this hands-on workshop. Participants will learn Yotsume Toji (four-hole binding)\, a classic Japanese stab binding technique that has been used for centuries for notebooks\, manuscripts\, and artist books. \nThe workshop also introduces the Goshuinchō\, a traditional Japanese temple and shrine stamp book. Used to collect goshuin—beautiful calligraphic stamps received during visits to Shinto shrines and Buddhist temples—these books have deep spiritual roots and have become cherished keepsakes for travelers. \nParticipants will learn how to construct a simple accordion-style Goshuinchō using Japanese paper\, and will also create their own Yotsume Toji bound notebook\, learning the fundamentals of Japanese stab binding. \nBy the end of the workshop\, each participant will leave with two handmade books: \n• A handmade Goshuinchō (accordion temple stamp book)• A Yotsume Toji stitched notebook \nAll materials are provided\, and the workshop is beginner-friendly and welcoming to all levels. \nNo experience required. \n \nAbout Mami Takahashi: \nMami Takahashi is a Japanese multidisciplinary artist and a scholar working in multiple cities including Chicago and Tokyo. She earned her MFA in Contemporary Studio Practice from Portland State University in 2013 and a BFA in Japanese Painting from Joshibi University of Art and Design in Japan. \nWith ongoing artistic research\, practice\, and teaching\, Takahashi explores different approaches to actualize Japanese aesthetics to enhance cultural perspectives in many U.S. communities. Takahashi also aims to connect Japan and communities in Chicago by teaching traditional and modern art-making techniques. \n\n\n\nRegister on Eventbrite
URL:https://imss.org/program/japanese-bookbinding-workshop-goshuincho-yotsume-toji-2/
LOCATION:International Museum of Surgical Science\, 1524 North Lake Shore Drive\, Chicago\, IL\, 60610\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261208T183000
DTEND;TZID=America/Chicago:20261208T210000
DTSTAMP:20260905T200125Z
CREATED:20260905T200121Z
LAST-MODIFIED:20260905T200125Z
UID:73729-1796754600-1796763600@imss.org
SUMMARY:Film Screening: Rocky Horror Picture Show
DESCRIPTION:“COME UP TO THE LAB…AND SEE WHAT’S ON THE…SLAB.” \nThe International Museum of Surgical Science and Stephanie Sack invite you to give yourself over to absolute pleasure with a one-night-only screening of THE ROCKY HORROR PICTURE SHOW! \nAt 7p on Tuesday\, December 8\, we’re unleashing Dr. Frank-N-Furter’s fabulous experiment to a most fitting venue: a museum devoted to the wackiness\, weirdness\, and wonders of the human body. Come dressed for a little anatomical admiration as we celebrate 1975’s glorious collision of mad science\, musical mayhem\, and magnificent misbehavior. \nCostumes encouraged. Inhibitions optional. Only 50 tickets available! \nTuesday\, December 8\, 2026 | 7 PMPre-Sale Tickets: \n$20 General Admission \n$15 for Students (use code STUDENTS\, will check for valid ID at door) \n$15 for IMSS Members (use code IMSSMEMBERS\, will check for member card at door) \nTickets will go up $5 at the door! \nInternational Museum of Surgical Science1524 N. Lake Shore Drive\, Chicago \nWe’re shivering with antici…pation! \n \nBio: Stephanie “La Gialloholique” Sack is a longtime cinephile and devoted enthusiast of high art horror cinema\, with a special passion for films from the 20th century. Her love of film centers on exploring the artistry\, context\, and emotion behind works that have often been overlooked or misunderstood. Known for her thoughtful curation and infectious enthusiasm\, Stephanie brings fresh perspectives to audiences eager to rediscover hidden gems of film history\, particularly from her favorite genres of Italian Giallo\, French Fantastique\, and Soviet Sci-Fi. Through her ongoing programming and producing\, Stephanie continues to champion films that challenge convention and deserve a second look. \n\n\n\nRegister on Eventbrite
URL:https://imss.org/program/film-screening-rocky-horror-picture-show/
LOCATION:International Museum of Surgical Science\, 1524 North Lake Shore Drive\, Chicago\, IL\, 60610\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261217T070000
DTEND;TZID=America/Chicago:20261217T210000
DTSTAMP:20260905T200838Z
CREATED:20260905T200835Z
LAST-MODIFIED:20260905T200838Z
UID:73740-1797490800-1797541200@imss.org
SUMMARY:From the Perspective of Earth with Elly Kace
DESCRIPTION:Join us to gather around ‘From the Perspective of Earth’ – a wordless\, genreless expression of the planets by sonic visionary Elly Kace \n\n\n\n\n 						\n													\n						\n													 \n\n\nFrom the Perspective of Earth with Elly Kace\nDecember 17\, 2026\n7:00-9:00pm\nDoors at 6:30pm \nTickets: \n$10 Student\, Seniors\, Military\, & Educators – use code STUDENT at checkout \n(Valid ID will be requested at the door) \n$10 IMSS Members Presale – use code IMSSMEMBER at checkout \n(Valid IMSS Membership card will be requested at door) \n$15 GA Presale \n– \n$15 Student\, Seniors\, Military\, Educators & IMSS Members (With valid ID & Membership Card) at Door \n$20 GA at Door \nJoin us 12/17 to gather around ‘From the Perspective of Earth’ – a wordless\, genreless expression of the planets by sonic visionary Elly Kace. \nShoes off. Lying down. This is an immersive ritual around the practice of active listening in community. \nThe night starts with a live\, 30 minute sound bath. A chamber ensemble of local musicians channels while you lie on the floor\, fully receiving\, exactly where you are. \nThen we will experience the full sensory experience of Kace’s newest 40-minute album\, From the Perspective of Earth\, together\, complete with active listening zine. The state of the art sound system at Reforester Laboratory will fill our bodies with the sounds of the planets. \nOne song/page per planet\, genreless and wordless\, drifting from total ambient stillness into fully danceable grooves and back again. \nA limited edition physical listening zine designed by Elly Kace will be available for purchase for $20. It contains unconventional graphic scores to follow or scribble on\, somatic prompts to notice what’s happening in your body as each planet moves through the room\, and blank space for your own thoughts as they come up. \nThe night wraps with a short reception\, a soft landing to talk\, integrate\, and reconnect with the people you just shared a floor with before heading back out into earthly life. \nCreated by composer and sound healer Elly Kace\, this experience is limited to an intimate number of participants. Events like it have already sold out similar runs in Manhattan\, Chicago\, and Brooklyn\, with people showing up in cozy socks and leaving genuinely changed. \nTickets are limited\, grab yours before this one sells out. \n \nElly Kace (she/her/they) is a queer sound healing mystic and indie artist living in Brooklyn\, NY. Their baroque-pop portals incorporate earthy vocals\, sparkling sound worlds and sound medicine to conjure a new paradigm of radical self love. As a lyric soprano\, she has sung around the world at venues such as Carnegie Hall and Lincoln Center – but lately you can find her channeling sound meditation performances of her pop songs to audiences in NYC and beyond.  \n\n\n\nRegister on Eventbrite
URL:https://imss.org/program/from-the-perspective-of-earth-with-elly-kace/
LOCATION:International Museum of Surgical Science\, 1524 North Lake Shore Drive\, Chicago\, IL\, 60610\, United States
END:VEVENT
END:VCALENDAR