Frankenstein: Penetrating the Secrets of Nature
Frankenstein: Penetrando en los secretos de la naturaleza
November 7, 2023 – December 16, 2023
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Boris Karloff as the Monster in Frankenstein, 1931 Courtesy Universal Studios Licensing LLC
En la pelicula Frankenstein, La conmovedora interpretaciĂłn de Boris Karloff como una criatura sin habla y la perdurable imagen del monstruo con la cabeza aplanada, las cicatrices de la cirugĂa y los pernos en el cuello afectaron profundamente al pĂşblico.
Boris Karloff como el monstruo en Frankenstein, 1931, CortesĂa de Universal Studios Licensing LLC
The National Library of Medicine’s traveling exhibition, Frankenstein: Penetrating the Secrets of Nature, explores the power of the novel Frankenstein; or, the Modern Prometheus to expose hidden fears of science and technology as human efforts to penetrate the secrets of nature continue. In 1816, Mary Shelley conceived a story about a scientist who creates a creature that can think and feel but is monstrous to the eye. Spurned by all, the embittered creature turns into a savage killer. Shelley’s story served as a metaphor for apprehensions about scientific advancement that continue to resonate today.
This bilingual exhibition is also presented in Spanish.
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Illustration from Essai Théorique et Expérimentale sur le Galvanisme, tome premier (Theoretical and Practical Essay on Galvanism, first volume), Giovanni Aldini, 1804. Courtesy National Library of Medicine
El mĂ©dico italiano Giovanni Aldini (1762–1834) aplicaba electricidad al cuerpo de animales y humanos decapitados, provocando en ellos contorsiones y otros efectos fĂsicos. El pĂşblico creĂa que esos movimientos indicaban el potencial de una radical nueva tecnologĂa.
IlustraciĂłn de Essai ThĂ©orique et ExpĂ©rimentale sur le Galvanisme, tome premier (Ensayo teĂłrico y experimental sobre el galvanismo, primer volumen), 1804. CortesĂa de la Biblioteca Nacional de Medicina de los EE. UU
On a dark and stormy night in 1816, Mary Shelley began writing a story that posed profound questions about individual and societal responsibility for other people.
To make her point, the young novelist used the scientific advances of her era and the controversy surrounding them as a metaphor for issues of unchecked power and self-serving ambition, and their effect on the human community.
Since that time, Frankenstein; or, The Modern Prometheus has become one of the Western world’s most enduring myths. The story provides a framework for discussions of medical advances, which challenge our traditional understanding of what it means to be human.
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Portrait of Mary Shelley, ca. 1851-1893. Courtesy The Bodleian Library, University of Oxford
Inspirada por un “sueño despierto” en el que visualizó “el horrendo fantasma de un hombre acostado que luego, por el funcionamiento de un potente motor, muestra signos de vida”, Mary empezó a escribir Frankenstein.
Retrato de Mary Shelley, c. 1851–1893. CortesĂa de la Biblioteca Bodleiana, Universidad de Oxford
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T. P. Cooke as the monster in Presumption; or, The Fate of Frankenstein, Thomas Charles Wageman (c. 1787–1863). Courtesy The Carl H. Pforzheimer Collection of Shelly and His Circle, The New York Public Library, Astor, Lenox and Tilden Foundations
El actor inglés Thomas Potter Cooke interpretó el papel del monstruo en Pretensión. Se pintó la cara de verde, los labios manchados de negro y se aplicó pintura azul en el cuerpo.
T. P. Cooke como el monstruo en PretensiĂłn o el destino de Frankenstein, Thomas Charles Wageman (c. 1787–1863). CortesĂa de la ColecciĂłn de Shelley de Carl H. Pforzheimer y su CĂrculo, Biblioteca PĂşblica de Nueva York, Fundaciones Astor, Lenox y Tilden
The National Library of Medicine produced this exhibition and companion website.
Esta exhibiciĂłn fue producida por la Biblioteca Nacional de Medicina de los Estados Unidos.
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